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Virtuosity, long songs, jamming and guitar solos were said to be sneered at, yet here was a band which did all of those things on that club’s tiny, grotty stage and were loved for it. Indeed the guitar interplay between Tom Verlaine and Richard Lloyd is one of the things which makes this album so special, none more so than on the album’s centrepiece, the epic title track. For more than ten minutes their guitar lines interlock, weave, spiral, climb to glorious peaks and fall, over and over, as the song breaks down and builds all the way back up again. The evocative, poetic lyrics add yet another layer of beauty to this stunning album. - \u003cem\u003eSound Records\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOne of the greatest albums of the American punk rock revolution, that isn’t even a punk rock album. 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The ‘three amigos’ era of Motorhead; Lemmy (bass\/vocals), Fast Eddie Clarke (guitar) and Phil ‘Philthy Animal’ Taylor joined forces and began their extraordinary journey to the top of the hard rock elite.\u003c\/p\u003e\n\u003cp\u003eIn August 1976 the band set up at Emerson, Lake \u0026amp; Palmer’s legendary Manticore Studio in Fulham to rehearse and showcase the new lineup. 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Absurd, intense and surprisingly tender, viagr aboys shuts out the noise to find that the important part of being alive in the big, stupid world is figuring out that the world inside of you that is equally big and stupid.\u003cimg\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Proper","offers":[{"title":"Default Title","offer_id":45722369687706,"sku":"SHRIMP001LP","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/8415\/0426\/files\/proc-ShopifySalesTile_48.png?v=1746779416"},{"product_id":"the-armed-the-future-is-here-and-everything-needs-to-be-destroyed","title":"The Armed - THE FUTURE IS HERE AND EVERYTHING NEEDS TO BE DESTROYED","description":"\u003cp\u003eThe Armed return with their new album The Future Is Here and Everything Needs to Be Destroyed, the follow up to 2023’s critically acclaimed album Perfect Saviors. 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She may well have been the greatest blues singer in punk rock history, the woman who married the 78 and the '78. Tragedy did not make this true. Mia Zapata made this true, and the ferocious, spring-loaded shrapnel frame that was built around her by Andy Kessler (guitar: metronomic and furious), Matt Dresdner (bass: fluid, punching, beat-addicted and melodic), and Steve Moriarty (drums: martial and explosive) - who, with Mia, combined to form The Gits - made it true.\u003c\/p\u003e\n\u003cp\u003eThe Gits were formed at Antioch College in Yellow Springs, Ohio in mid-1986, grabbing and swapping pieces of art, thrash, noise, punk rock, classic rock, and all the sorts of magical silly and bookish jingle bells that an old-school liberal arts education handed you; for the next few years they worked on turning it all into something tough, sensitive, both brutal and kind. Andy, Matt, Mia, and Steve moved to Seattle in middish 1989, landing in a house on Capitol Hill where they (and fellow travelers) wood-shedded and rehearsed for the next few years.\u003c\/p\u003e\n\u003cp\u003eThe Gits put out three EPs in 1990 and '91 before signing with C\/Z Records and releasing their first full-length album, Frenching the Bully. Seattle quickly claimed the quartet as their own and embraced the Gits blend of ferocious fangs and soft heart, the slug\/slap of the guitars, and the gorgeous, soft underbelly of the poetic emotions. These qualities not only fit in with the doe-eyed\/sharp-clawed grunge ethos but earned the Gits the respect of their peers, including Nirvana, who tapped them to open a major local show in 1990. Then other stuff happened, and their frantic, confessional barbed-heart snowball began rolling up hill very, very fast; the Gits \"quickly\" (Hah! After half a decade learning to implode and explode hearts and stomping their boots on manifold beer-softened, Marlboro-weeded wood stages!) inspired rapture, awe, and the levitation that happened when peak emotion meets peak grindage in front of amps spitting out something that sounded like the mad marriage of Bolan swagger and Dischord tension.. all fronted by a genuinely incomparable woman who held her heart in her mouth and shared it, in all it's celebration and fear, without hesitation.\u003c\/p\u003e\n\u003cp\u003eThe Gits were an angry, inflamed slinky fully in tune with and tuned by the Bessie Patti Smith of her time, truly the only singer who could summon Joplin, Poly Styrene, Sam Cooke, Iggy Pop and Ian MacKaye all in the same goddamn song. In 1993, less than four weeks after accepting an offer from Atlantic Records, Mia died. I leave it at that, because this is not about death; it's about an extraordinary life. 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The Daydreams of a Production Line Worker came towards the end of the bands life span and all they had to show prior was a few demos and some tracks on compilations on Mortarhate. By the time the band entered the studio KARMA SUTRA was spreading their musical wings, moving from a straight ahead anarcho sound to a more dense and thoughtful place, adding flourishes of post punk and moody atmospheres to their agit-prop political stance thus creating one of the most idiosyncratic concept albums of their time, where situationist politics meet the most ambitious anarcho punk sound.\u003cbr\u003e\u003cbr\u003eThe album was recorded in Sheffield at Vibrasound Studio and co-produced by Spon of UK DECAY, which added yet another layer to the already complex album.\u003cbr\u003e\u003cbr\u003eWhen released The Daydreams Of A Production Line Worker had little fanfare due to the rigid approach to punk of the time. But as time passed, so did this albums importance. It would\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003esit perfectly in your collection next to bands who had ambition, tunes and thought provoking lyrics like CHUMBAWAMBA, THE MOB or THATCHER ON ACID.\u003cbr\u003e\u003cbr\u003eThe Daydreams Of A Production Line Worker reissue comes with a reproduction of the originally included 28 page booklet, which the band viewed as an inseparable part of the album to understand the concept. Dense at times and intended to be thought provoking it covers class oppression, gender, culture brainwashing, prison struggle et all the capitalism society illnesses written from an anarchist perspective and aligned with the situationism theory of revolution of every day life\u003c\/span\u003e\u003cspan\u003e \u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e","brand":"Cargo","offers":[{"title":"Default Title","offer_id":45837297057946,"sku":"SEAL-024","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/8415\/0426\/files\/s-l500_5.jpg?v=1749590893"},{"product_id":"malevolence-where-only-the-truth-is-spoken","title":"Malevolence - Where Only The Truth Is Spoken","description":"\u003cp\u003eWith their fourth studio album, modern metal’s finest step into a new league since their critically and commercially lauded Malicious Intent (2022).\u003c\/p\u003e\n\u003cp\u003eWhere Only The Truth Is Spoken delivers on everything Malevolence have built so far—harder riffs, bigger hooks, and an undeniable presence that has taken them from Sheffield to the world stage.\u003c\/p\u003e","brand":"Warner","offers":[{"title":"Default Title","offer_id":45857315913882,"sku":"4065629725181","price":30.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0632\/8415\/0426\/files\/Malevolence-WhereOnlyTheTruthIsSpoken_1LP_CrystalClearBlackMarbled_EU-UK-INDIES.webp?v=1750285569"}],"url":"https:\/\/www.soundrecords.im\/collections\/punk-hardcore.oembed?page=4","provider":"Sound Records","version":"1.0","type":"link"}